Sanctuary Classics Gaudeamus GAU 232




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Sanctuary Classics Gaudeamus GAU 176

Sample Programmes: The 18th and 19th Century



Sample Programmes

 

{© Graham Lea-Cox. April 2006}

 

 

The Hanover Band / Graham Lea-Cox

For more information, please contact corrado.deinnocentiis@tin.it

 

Programmes with orchestra and voices:

 

The recordings marked * below are on Sanctuary Classics 'Gaudeamus' label and feature Graham Lea-Cox directing the Hanover Band with the following artists:

Judith Howarth, Soprano; Patrick Burrowes, Andrew Johnson - Boy sopranos; Kathleen Kuhlmann, Mezzo-soprano; William Purefoy, Andrew Watts, counter-tenors; Christopher Josey, high-tenor; Charles Daniels, Timothy Robinson, Richard Edgar-Wilson, tenors; Stephen Varcoe, Bass-Baritone; David Thomas, Michael George, Bass;

Chorus: New College Choir, Oxford,

Edward Higgenbottom, Director.

 

Programme 1  [Boyce editions by Graham Lea-Cox]

[ * Recorded & released in 2001, Sanctuary Classics CD GAU 232 ]

 

 

G. F. Handel         Coronation Anthem for George II: Zadok the Priest

[est. 8 ' ] 0202 0300 t stgs cont: organ Chorus (SSAATBB)

 

Willliam Boyce    * Pindar's Ode (1740) (Dublin version)

                               Gentle Lyre, begin the strain

[est. 48' ] BoySop, High Tenor, Bass Soloists; Chorus;

2202 0200 T Cont: Organ/Hps,Theorbo, Stgs [55432]

 

Willliam Boyce     * Ode for the New Year 1774

[est. 25 ' ] 2202 0200 T Stgs cont: Hpd; Theorbo

Boysop, Tenor, Bass soloists; Chorus: SATB

 

Programme 2  [Edition by Graham Lea-Cox]

[ Recorded & released in 2000: Sanctuary Classics  CD GAU 200 ]

 

William Boyce        Ode to St. Cecilia (Lockman) (1739/40)

                                 "See fam'd Apollo..."

[ est. 68 ' ] BoySop, Alto, HighTenor, Tenor, BassBar solos; SSATB chor;

2201 0200 - Kettle Drum - Cont. (Organ/Hps. Theorbo) - stgs [55432]

 

Programme 3 [All editions by Graham Lea-Cox]

[ Recorded and released 1998 & 2001: * Sanctuary Classics CD GAU 176;  ** Sanctuary Classics  CD GAU 216 ]

 

Thomas Arne &  Thomas Linley Jnr   

                                Cantatas for soprano / soprano duet and orchestra 

2101 2000 stgs cont Hpd, Theorbo

William Erskine         ** Periodical overture No. 17 in Eb (1766-70)

[ c. 9’ ] 0022-2000 stgs Hpd

Thomas Arne           ** Symphony No 4 in c minor (1767)

[ c.13 ' ] 2202 2000 hpd stgs [66432]

William Boyce           * The Secular Masque (1730-50)

[ c.55' ] Sop, Mezzo sop, 2 tenors, Bar & Bass. Chorus: ATB

2201 2100 T cont: Hpd, Theorbo, stgs

 

Programme 4  [All editions by Graham Lea-Cox]

 

Thomas Arne            The Fairy Prince (early English Opera) (1771)

         A masque by Ben Jonson, adapted Colman based on Shakspeare

BoySop, 2 Sops, Tenor, Chorus (SATB)

1202 2200 Timbrel, Carillons, Cont. Hpd, Theorbo stgs

 

 Programme 5  [All editions by Graham Lea-Cox]

 [ Recorded and released in 2000, Sanctuary Classics CD GAU 208 ]

 

William Boyce:

 

                                Ode to St. Cecilia (Vidal) ( c.1740)

                                  "The Charms of Harmony ...."

[ est. 50 ' ]  

BoySop, Alto, BassBar, solos; SATB chor;

1202 0200 - Kettle Drum - Cont. (Organ/Hps.; Theorbo) - stgs [55432

                              Cantata: 'David's Lamentation over Saul and Jonathan' (fp 1736)

[ est. 25 ' ]

Alto, HighTenor, Tenor, Bass solos; SATB chor;

2202 0200 - Kettle Drum - Cont. (Organ; Theorbo) - stgs [55432]

 

 

Programmes for Orchestra alone

The 'lost' Concertos and Symphonies of English composers and their contemporaries working in Eighteenth and Nineteenth century England

 

{ Please click here for information and reviews of the world premiere recordings of these works by Graham Lea-Cox with the Hanover Band }

 

 

The 18th Century: 

 

Programme 6 (with forte piano) [All editions by Graham Lea-Cox]

[ * Recorded and released in 2001, Sanctuary Classics CD GAU 216 ]

 

William Smethergell          * Symphony Op 5 No 2 in Bb [c. 12’]                                           

                                            0202 2000 stgs ftepno

 

JC Fisher                              Oboe Concerto No 1 in C major

                                             0101 2000 stgs ftepno

 

CF Abel                              Violoncello (Viola da Gamba) Concerto in Bb (1758)

                                            0000 0000 stgs cont. Hpd

 

C.F. Abel                           * Symphony Op 10 No 1 in E (1771) [ c. 10’ }

                                            0202 2000 stgs ftepno

 

Thomas Linley Jnr Violin concerto (Prior to 1779)

                                            0002 2000 stgs ftepno

 

Programme 7 (with harpsichord) [All editions by Graham Lea-Cox]

[ * Recorded and released in 2001, Sanctuary Classics CD GAU 216 ]

 

Chosen from:

 

CF Abel: Sinfonie Concertante for Oboe, Violin, Violoncello and orch., K42

 

FH Barthelemon Concerto for 3 Violins, Tenor, Violoncello and ripieno strings, Op 3

 

JC Fisher Concerto for Oboe (or Flute) in Eb

0100 2000 stgs cont: Hpd.

 

Thomas Arne Symphony No. 3 in Eb (1760s?)

0202 2000 T stgs Hpd

 

John Collett * Symphony Op 2 No. 5 (1766) [ c. 13’ – 14’ ]

0202 2000 Stgs Hpd

 

Lord Kelly * Periodical Overture No 17 in Eb (1766-70) [ c. 9’ 15” ]

0022 2000 stgs Hpd

 

John Marsh * A Conversation Sinfonie for double orchestra [ c. 12’ 45” ]

1022 2000 stgs Hpd

 

 

 

 

The 19th Century:

 

 

Programme 8 (approx 75 minutes music)  [Full Symphony Orchestra]

 

{ Please click here for information on these works and composers }

 

 

Muzio Clementi          Symphony No 4 in D (c1822) 

(edited. John Walter Hill / Graham Lea-Cox)

[approx 30’]     (First performed: London, Royal Philharmonic Society, 1822)  

W. Sterndale Bennett  Symphony in g  (1864-7) Op 43 

(edited Graham Lea-Cox)

[approx  33’]   (First performed: London, Royal Philharmonic Society,1867) 

coupled with either:

 

Samuel S. Wesley    Symphony in c (c1832) in one movement.    

(edited Richard Divall / Graham Lea-Cox)         

[approx 11 mins]    (First performed: London, Royal Philharmonic Society, 1833) 

or:

A work by:

 

Mendelssohn, Schumann, Weber, or Schubert- as performed at the Royal Phillharmonic Society concerts in London during the life of Clementi or Bennett.

 

Performance style and Orchestra Instruments: 

*  Performances specifically to explore 19th century orchestral stylistic performance practice;

 

*  Orchestral instruments as close as possible to the original instruments used at the time of the premieres of the chosen works. 

{© Graham Lea-Cox. April 2006}

 * * *